This was done to match the duration of the closing logo. In 2006, Newman composed the grander version of the fanfare in celebration of Disney's acquisition of Pixar as well as Pixar's 20th anniversary solely for Cars.

Newman then composed a different version of the fanfare, this time a quicker, shortened version which was first used from A Bug's Life to pre-2012 prints of Finding Nemo. The current Pixar Animation Studios logo took its place on current prints of Toy Story. Randy Newman, well-known composer of the Toy Story films, as well as A Bug's Life, Cars, the Monsters, Inc.-related films and Walt Disney Animation Studios' The Princess and the Frog, composed and conducted a majestic fanfare which then transitions to the Toy Story soundtrack just as the logo fades into the wallpaper of Andy's room. The hand-painted cels for this logo looked pretty outdated and cheap by this time.Īs Disney is responsible for the marketing and distribution of all Pixar films, Pixar created a custom-made logo by using the RenderMan software for use for all of their films up until 2007. Disney last used the production cels for this logo in a theatrical trailer for the 2005 movie Chicken Little. Even after 1995, this logo still used production cels painted by hand throughout the late 1990's and into the mid-2000's.

The last animation production from WDP to use this process was the 1990 short The Prince and the Pauper) to digital ink-and-paint animation via CAPS (Computer Animation Production System, which was first fully used in 1990's The Rescuers Down Under), this logo (along with Disney-produced animated programs made for TV) still used traditional cel animation, even though three computerized variants were introduced in 1995, 20. This became the most memorable version of the logo since it was used in all of the classic animated Disney movies from the 1990s and the early 2000s.Īlthough in 1989, when Disney switched their animation from xerography (which was first fully used in the 1960 short Goliath II prior to the release of the following year's One Hundred and One Dalmatians, which was the first full-length Disney animted film to use the process. Also, the curved line is shortened to the tip of the W in 'WALT', and the text now is transparent. In 1990, the color palette of the logo was usually changed, opting for Cyan/Teal shades instead of Blue.

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